🐉 Spotlight: The Rise of The Shaolin Nun

One of the most compelling stories in the indie space right now isn't coming from a major publisher, but from the grassroots success of JC Carter’s The Shaolin Nun. Often described as "Enter the Dragon meets Thelma and Louise," this series follows Mei Yin, a warrior nun from a secret order dedicated to empowering women against a world of crime.

What’s New:

The Complete Series: As of this week, Carter has officially launched the Kickstarter for the Complete First Series, collecting all six issues into one high-impact volume.

Distribution News: While it started as a self-published hit, the series is moving toward wider accessibility through Laguna Studios later this year.

Artistic Evolution: The project has featured standout work from artists like Gregory Maldonado and Tiah Ankum, whose dynamic paneling has become a signature of the series' action sequences.

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📚 The Printing Press: Big Wins for Prestige Indie

The landscape of high-profile adaptations is also shifting. The estate of Sir Terry Pratchett recently confirmed that Colleen Doran’s Good Omens graphic novel is officially at the printers. This project stands as a benchmark for how beloved literary works can be translated into the visual medium with creator-led integrity.

On the retail front, Forbidden Planet is doubling down on physical spaces. A new location is opening in Norwich on May 2nd, perfectly timed for the industry-wide celebration of Free Comic Book Day.

🎭 Genre Disruptors: Horror and Mystery

While the "Big Two" continue their cycle of superhero events, indie publishers like Mad Cave Studios are dominating the procedural space. Sanction #3 has just hit shelves, continuing Ray Fawkes and Antonio Fuso’s gritty exploration of murder and suspense.

Simultaneously, whispers of a new shared horror universe are circulating among creators. This initiative aims to challenge established horror imprints by offering unfiltered, creator-owned stories that bypass traditional corporate editorial constraints.

⛩️ The East-West Bridge: Manga Growth

The influence of international styles on the indie market is reaching a fever pitch. Manga Mavericks recently unveiled four new titles for 2026, including the buzzy Path from Tanuki Temple and Fishgod. This move highlights how indie distributors are leveraging niche Japanese titles to capture the "manga-first" demographic.

📊 Data & Digital: A New Marketing Model

The industry is currently debating how success is measured. While some reports claim record sales, The Indie Comix Dispatch has questioned the modeling used for these figures, suggesting a "data gap" in how indie sales are tracked.

This gap is being filled by a shift toward TikTok marketing and direct social engagement. By moving away from the traditional "Diamond model" of distribution, creators like JC Carter are proving that a direct line to fans is often more valuable than a spot on a corporate shelf.

📝 Monarch Media’s "Must-Read" List

Assorted Crisis Event: By Deniz Camp and Eric Zawadzki. A masterclass in world-building (5 issues available now).

Is Ted OK?: The breakout character-driven hit of the season.

The Shaolin Nun: Back the Complete Series Kickstarter to catch up on the full saga.

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Its purpose was clear: help businesses remain visible when everything else felt like it was disappearing.

For three years, Monarch Media operated in that space—offering graphic design, website development, and digital content with a distinct approach. While much of the industry leaned on sterile, predictable visuals, Monarch Media embraced something louder. Sharper. More deliberate.

The work stood out.

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That difference translated into opportunity. Clients were secured. A reputation was formed. Monarch Media became known for visuals that refused to blend into the background.

But over time, the direction no longer aligned with the creative force behind it.

By 2023, Monarch Media was quietly dissolved—not through failure, but through a shift in focus. The structure remained, but its purpose no longer applied.

For a time, the name sat dormant.

Now, in 2026, Monarch Media returns.

Not as an agency.

Not as a service.

But as a publisher.

The same energy that once fueled client work has been redirected—no longer shaped by external needs, but by internal vision. Monarch Media now exists to develop and promote gritty, independent comic properties that reject convention in favor of identity.

The first of these is Blackout Jack.

A chaotic, violent, and unfiltered series centered around a space-faring, drunken rabbit with a remarkable ability to survive increasingly catastrophic decisions. It is not clean. It is not restrained. It was never meant to be.

It exists because it should.

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Beyond that, the groundwork is already forming.

Additional titles are in development. Some louder. Some darker. Each one distinct, yet unified under a single principle:

Create something that cannot be ignored.

There is no rigid roadmap.

No polished projection of what comes next.

Only a clear direction—and the decision to follow it without compromise.

Monarch Media is active once again.

This is where it begins.

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